Walking Paris with Henry Miller

Rue Laffitte

rue LaffiteAs you cross the rue Laffitte, be sure to stop for a moment and glance up to your right toward the Sacré Coeur. For Henry Miller, the view of the Sacré Coeur from the rue Laffitte was an emblematic vision of the ideal Paris that had formed in his mind long before he arrived in Europe.

In New York, Miller had salivated at the vivid descriptions of Paris supplied by his friend Emil Schnellock. Though his own experiences in Paris were often troubled by hunger or homelessness, Miller could always count on a glance up the rue Laffitte to refresh his spirits. He would refer to the view again and again in his novels; First in Tropic of Cancer:

the Rue Laffitte which is just wide enough to frame the little temple at the end of the street and above it the Sacré-Cœur, a kind of exotic jumble of architecture, a lucid French idea that gouges right through your drunkenness and leaves you swimming helplessly in the past, in a fluid dream that makes you wide awake and yet doesn’t jar your nerves.1

…and again in Tropic of Capricorn:

Sometimes, after a rain, riding swiftly through the city in a taxi, I catch fleeting glimpses of this Paris he [Emil] described; just momentary snatches, as in passing the Tuileries, perhaps, or a glimpse of Montmartre, of Sacré Coeur, through the Rue Laffite, in the last flush of twilight.2

…and in Quiet Days in Clichy:

Looking towards the Sacré Coeur from any point along the rue Laffitte on a day like this, an hour like this, would be sufficient to put me in ecstasy.3

Location

corner of rue Laffitte and rue La Fayette – See it on Google Maps

Notes

  1. Henry Miller, Tropic of Cancer, 176
  2. Henry Miller, Tropic of Capricorn, 41
  3. Henry Miller, Quiet Days in Clichy, 6

2 Comments so far


Michael Jones Seven Sisters London England

I can’t remember the last time I went down the rue Laffitte, but it was either with La Polonaise in toe or avec mon ami Monsieur Harrison, but the objective was most probably one of the crazy walks that I take people on now and again. But I think the best thing about this particular sight is to turn the corner, and feel that you are experiencing exactly what Miller saw. Looking over Kreg’s quote though from Tropic, I was amazed at the reference to the church of Notre-Dame-de-Lorette, because having read the book a few times now I had never noticed it before. But I think the joy of reading a good book is being able to go back to it in various ways that you could and would never had imagined, and that is definitely one of the best things about this sight. Well, for anyone that’s also interested in the cultural history of the street, according to my notes at No 6 Ambroise Vollard had a gallery there. At No 16 was Durand-Ruel’s gallery who promoted the Impressionists, and at No 23 was the Hotel de France where Franz List lived and where he introduced Chopin to George Sand. And it was in the church of Notre-Dame-de-Lorette that Monet and George Bizet were chistened in 1840.


Kreg Wallace

Michael,

Thanks for sharing your notes on rue Laffitte. The density of cultural history to be found on each little street is something that never ceases to fascinate me about Paris, As Miller wrote, “To know Paris is to know a great deal … The streets sing, the stones talk. The houses drip history, glory, romance.”


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